论文部分内容阅读
广西的壮、瑶、毛难、仫佬等族流行着多声部民歌。民间合唱的二声部是基于各自的旋律运动结合在一起的,它们并不首先着眼于和声音程的运用,但在长期的艺术实践中,形成了一定的多声思维,在和声音程的运用上已形成了一定的规律。一、窄音程的运用 合唱中的音程三度以内居多,四度次之,五度以上较少。这是由于:(1)多声结构形态以分声部支声式合唱与和声式合唱为主。(2)多为同声合唱,少数混声也多为同音域。(3)声部进行以同向,斜向为主造成的。二、不同调式中的音程运用 二声部有相对固定
Guangxi’s Zhuang, Yao, Mao difficult, Gelao and other ethnic groups popular multi-part folk songs. The second part of folk choir is based on their own melodic movement together, they are not the first to focus on the use of harmony and sound, but in the long-term artistic practice, the formation of a certain number of sound thinking, Use has formed a certain law. First, the use of narrow-range chorus in the interval of less than three degrees, four times the second, less than five degrees. This is due to: (1) The multi-acoustic structure is dominated by the sub-voicing chorus and chorus chorus. (2) Mostly for simultaneous chorus, a small number of mixed voices are mostly homophones. (3) Part of the Department of the same direction, mainly caused by oblique. Second, the use of different tone intervals in the second part has a relatively fixed