近代以来,中国的乡土叙事往往围绕“余韵”(对乡土现实的诗意化)与“寓言”(对乡土现实的观念化)两个极端而展开,乡土真实形象长期缺席。通过对中原大地一个普通农村的跟踪纪实,纪录片《乡愁》克服“讲故事”冲动、戏剧化迷恋以及乡土书写的诗意化套路,转而以一种理性自觉的社会学研究视角去记录乡土群像、关注乡土生活,为我国乡土题材的真实叙事难得地树立起一种史诗风范。 Since the modern times, the local narration in China has always been around the two extremes of “Yu Yun” (the poeticization of local realities) and “allegory” (conceptualization of local realities). Through the track record of a common rural area in the Central Plains, the documentary “Homesickness” overcomes the poetic routines of “storytelling” impulses, dramatic infatuation and local writing, and instead records the local culture in a rational and conscious sociological perspective Group portrait, paying attention to the local life, setting an epic style for the true narration of the native subject in our country.