吴昌硕是中国近代史上“诗书画印”四绝的开宗立派式人物,其绘画,酣畅淋漓,将“写意绘画”提升到一个前无古人的高度,开“海派绘画”新篇;其书法,融入金石气,书风凝练朴厚,苍劲雄浑;其篆刻,以书入印,寓巧于拙,成为中国篆刻史上浑厚朴实印风的集大成者;其诗文,抒摅胸臆,真气弥漫,古趣盎然。四者各有特色,融合渗透,浑然一体,为当时及后世艺术家们树立了“新文人”的综合艺术标准。故吴昌硕艺术在近代 Wu Changshuo was the founding member of the “Poetry, Calligraphy and Painting” in the modern history of China. His paintings are heartily drifted, raising the “freehand painting” to an unprecedented height and opening a new chapter in “Shanghai Painting” ; Its calligraphy, into the stone gas, book style concise Park thick, vigorous and vigorous; its seal carving, the book into the printing, the trickery in the clumsy, become the mastery of the simple and honest in the history of Chinese carving set master; its poetry, expressive, Infuriating diffuse, interesting ancient times. The four have their own characteristics, blending infiltration, seamless, as then and later artists set a “new literary” comprehensive art standards. So Wu Changshuo art in modern times