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《恋爱中的宝贝》虽然被大部分人划在爱情片里面,但是它所表达的东西远远超出爱情的范畴。影片不仅关注了人的成长主题还反映了现代文明的隐忧和当代人的生存困境,并深入到当代人的自我主体中,涉及本真主体与异化主体,此在主体与彼在主体的缠绕和对抗。1.“不是我不明白,这世界变化快”:本真主体与异化主体的分裂愈演愈深某种意义上,《宝贝》与其说是爱情片不如说是关于爱情的成长片。和其他成长题材的片子不同的地方是,导演李少红并没有设置过多的人物来展示宝贝的成长历程,而是选取了宝贝成长时期中社会急剧变迁
Although most of the people in love love the baby inside, but what it expresses far beyond the scope of love. The film not only focuses on the theme of human growth but also reflects the hidden worries of modern civilization and the predicament of contemporary people. It goes deep into the self-subject of contemporary people and involves the subject-centered subject and the alienated subject. confrontation. 1. “Not I do not understand, this world changes fast ”: the divisions between the real subject and the alienated subject go deeper In a sense, “Baby” is not so much a love piece as a piece of love about growth. And other films on the growth of the difference is that the director Li Shaohong did not set too many characters to show the growth of the baby, but chose the baby during the rapid social changes