《诗经·陈风》中《宛丘》、《东门之(木分)》二诗,描写了陈国东门、宛丘一地歌舞娱神的情形,反映 了陈国崇信巫鬼的社会风尚。这种尚巫之风,既是其本族文化传统的延续,又与胡公被封“使祀虞帝”及 陈夫人好巫有关,在很大程度上,也是南楚巫风渗透的结果。 The poem “Wan Qiu” and “Dong Men Zhi (Mu Fen)” in the Book of Songs by Chen Feng described the situation of singing, dancing and dancing God at the gates of Chen Guodong and Wanqiu, reflecting the social customs of Chen Guochong believed in the witches. This style of sorcery is not only a continuation of its own cultural tradition, but also relates to Hu Gong being enshrined in “Yu Dili” and Mrs. Chen’s witchcraft. To a large extent, this is also the result of the penetration of Nan Chu’s witchcraft.