维吾尔木卡姆的起源和发展问题是最为复杂的现象之一。问题在于对实际材料研究不够充分,同时也没有总结出一整套相关的研究方法。木卡姆创作的根本基础是活生生的现实本身,是现实在木卡姆艺人意识中的反映,是他对外部世界诸多典型事件的印象。木卡姆艺人的出现,是维吾尔音乐传统长期而有规律的发展结果。这里要补充一点:在中亚,漫长的封建的社会经济形态使得音乐现象的风格变化进展极为缓慢。于是维吾尔的木卡姆创作得以长期存在,从而使当代的研究者有机会接触它们。木卡姆艺术体裁在发展初期具有原始的综合性特 The issue of the origins and development of Uygur Muqam is one of the most complex phenomena. The problem is not enough research on the actual material, but also did not sum up a set of related research methods. The basic foundation of Muqam’s creation is a living reality itself, a reflection of reality in Muqam artist consciousness and his impression of many typical events in the external world. The emergence of Muqam artists is the result of long-term and regular development of the Uighur musical tradition. Here it is necessary to add that in Central Asia, the long feudal socio-economic patterns make the change in the style of the musical phenomenon extremely slow. As a result, the Muqam creations of the Uyghurs persisted, giving contemporary researchers access to them. Muqam genre of art in the early stages of development with the original comprehensive special