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中国画论,是中国传统绘画理论的简称,是根据一定的立场和观点,对于中国画的创作(画家作品)、批评、思潮等绘画现象加以总结与升华,概括出一定的规律性,从而形成一定的有内在联系的原理、原则。我国历代画论家,多数是书画家或书画鉴藏家,他们生活在各自的时代,皆根据自己的世界观,在感觉经验的基础上,总结出自成体系的绘画理论,留下了自己的画论著述。中国画有五千年的历史,而画论的产生要晚得多,若以春秋孔子论画算起,至今已有二千三百多年。中国画论的形成、发展与流传大致分为六个时期:先秦两汉为萌芽时期,六朝为重要开始时期,唐五代为成熟时期,宋元为重要发展时期,明清为因袭与创见交错时期,近现代为振兴时期。
Chinese painting theory, short for traditional Chinese painting theory, summarizes and sublimates the painting phenomenon of Chinese painting (painter’s works), criticism and trend of thought according to certain standpoints and opinions, and generalizes certain regularities to form certain There are principles and principles of internal relations. Most of our ancient painting theorists, calligraphers or calligrapher collectors, who live in their own times, are based on their own worldview, based on sensory experience, summed up the system of self-contained painting theory, leaving his own painting On the writings. Chinese painting has a history of five thousand years, and the theory of painting is much later. According to Confucianism in the Spring and Autumn Period, there are over 2,300 years of history. The formation, development and circulation of Chinese painting theory can be roughly divided into six periods: Pre-Qin and Han Dynasties are the budding period, the Six Dynasties are the important beginning period, the Tang and the Five Dynasties are mature periods, the Song and Yuan Dynasties are important development periods, Ming and Qing Dynasties are inter- Modern is rejuvenation period.