当“限娱令”姗姗来迟地出现在大家面前时,我真为中国广大电视从业人员捏把汗。一种规范式的标准往往预示着对以往的某种否定和对未来的某种期许,我认为,那几项具体的要求是对广电事业近年来产业化迅猛发展所带来的泛娱乐化现象的一种沉淀、一种冷静,同时,也为电视娱乐节目重回主流价值体系提供了机会。恰恰在这个时候,我们看到 When “Restricted Entertainment Order” came in front of everyone long and long ago, I really pinched sweat to the TV practitioners in China. A normative standard often heralds some negation of the past and some expectation of the future. I think these specific requirements are a pan-amusement phenomenon brought about by the rapid industrialization of radio and television broadcasting in recent years A kind of precipitation, a calm, at the same time, but also for TV entertainment programs to return to the mainstream value system provides an opportunity. Just at this time, we see