时下在书画领域里,可能没有哪一个词能像“真伪”一词受到如此的冲异,其原因几乎毫无例外地与“经济”二字有关,这是毋庸置疑的事实。而事实上,中国书画无论在商业味浅淡的古代,还是在极具商品化的今天,不分公家庋藏还是私家收藏,其真假问题都毫无怀疑地成为一切相关活动的基础。由于中国书画自古以来就有其独特的创作方式与流传方式,完全迥异于西方油画或者版画的作坊式创作,于是书画的作伪和鉴定便成了中国美术史上一道独 Nowadays, in the field of calligraphy and painting, no single word may be treated like the word “authenticity” in such a way that the reason is almost without exception related to the word “economy,” which is beyond doubt. In fact, no matter in the light of commercial taste or in the highly commoditized today, regardless of whether public or private collections of Chinese calligraphy and painting are true or false, the question of authenticity and falsification has become the basis for all relevant activities without any doubt. Since Chinese calligraphy and painting has its unique style of creation and circulation since ancient times, it is totally different from the workshop-style creation of western oil painting or printmaking. Therefore, the falsehood and identification of Chinese calligraphy and painting have become a unique history in Chinese art history