南京小剧场戏剧节上,上海人民艺术剧院的一台独角戏异军突起,给丰富多彩的小剧场演出平添一色,尤其是魏宗万的《单间浴室》令人拍手叫绝。一个仅半小时的戏竟让全场观众笑语不断,散场后还兴犹未尽,议论纷纷。这是一出用苏北方盲演出的戏,节奏明快,内容颇丰,演区是高出地面半米左右的平台,上面没有任何布景,演员手中也无道具,表演是“无实物”的。所有的环境、氛围、事件均要由演员的台词和表演唤起观众的想象才能表现,小剧场在空间上拉近了观——演距离,但其表演与大剧场相比决不是“收”和“放”的问题,而且该戏用虚拟的动作模仿实际生活,必须依据一定程度上的假定原则,如何用远离生活的表演体 Nanjing Theater Festival, the Shanghai People’s Theater, a one-man show a sudden emergence of a unique theater to a rich and varied little theater performances, especially Wei Zongwan’s “single bathroom” is a shout. A play of only half an hour actually let the audience laughter constantly, after the market still Xingxing still, talked about. This is a drama performed blindly by the Northern Jiangsu Province. The rhythm is fast and the contents are quite plentiful. The performance area is a platform half a meter above the ground. There is no stage above and there are no props in the hands of the performers. The performances are “non-existent.” All the environment, atmosphere and events must be aroused by the audience’s imagination in the performance of the actors’ lines and performances. The mini-theater is closer in space to the concept of performance-distance, but its performances are by no means “ ”Put" the problem, and the play virtual action to imitate real life, must be based on a certain degree of presumed principle, how to use far away from the performance of the body