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迪迪-于贝尔曼重新诠释本雅明的灵韵之重要意义在于,他从反省艺术史方法论的立场出发,表现出建立属于当代的现代艺术史方法论的强烈意图。迪迪-于贝尔曼(Georges DidiHuberman)1953年生于法国东部的圣安蒂尼城,师从符号学艺术史家马欣(Louis Marion),1981年于法国高等社会科学院获得艺术史博士学位,研究领域涉及视觉艺术、历史学、精神分析、人文学与哲学等。曾客座于多所美国知名大学,早期研究摄影,近来则专注于图像的研究,早期著作《相似
The important point of Didi-Beelman’s reinterpretation of Benjamin’s spirituality is that he reflects on the strong intention of establishing a contemporary methodology of modern art history from the standpoint of reflecting on the methodology of the history of art. Georges Didi Huberman was born in Sant’Antigny in eastern France in 1953. He studied under the symbolism art historian Louis Marion and received a doctorate in art history from the French Academy of Social Sciences in 1981, Involved in visual arts, history, psychoanalysis, humanities and philosophy. Visited many well-known American universities, early study photography, and recently focused on the study of the image, the early writings "similar to