贵刊1986年第11期发表了《“形散神不散”不是散文的特点》一文(以下简称《形》文),阅后我对作者的一些观点和提法有些异议。为此,也想在这里谈谈本人对散文的形散神聚问题的认识,以就教于专家和同行们。散文的一个重要特点是“散”。所谓“散”,首先指它的题材广泛,大至海阔天空,小至草木鱼虫,乃至人情冷暖、世事沧桑,无可不谈。其次,指它的写法自由,结构放纵自 In your issue of the 11th issue of the 1986 issue of the article, “The Characteristics of ”Shadows and Scatters Are Not the Essence of Prose“ (hereinafter referred to as the ”Form“). After reading this, I disagreed with some of the author’s opinions and suggestions. For this reason, I would also like to talk about my understanding of the problem of dispersal and divinity in prose, in order to teach it to experts and colleagues. An important feature of prose is ”scatter.“ The so-called ”dispersal" refers first to its wide range of subjects, ranging from large-scale, small to grass-and-water fish and insects, and even human warmth and vicissitudes of life, without exception. Second, referring to its freedom of writing, structure indulged in