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19世纪初至20世纪上半叶形成的“现代诗化语言观”是西方现代哲学、美学以及诗学的重要组成部分。在“诗本体”观的出现、现代审美精神的形成、语言意识的自觉及对西方传统逻辑语言观的批判等因素共同作用下,现代诗化语言观形成。尽管德国浪漫派美学以及尼采、克罗齐、海德格尔等在具体观点上各异,在语言的本性是“诗化的”而非“逻辑化的”这一点上却具有相似性。“现代诗化语言观”不仅对西方当代哲学、美学研究,而且对中国当代美学、诗学研究甚至文学创作也有重要影响。
The “modern poetic view of language” formed from the early 19th century to the first half of the 20th century is an important part of western modern philosophy, aesthetics and poetics. The formation of modern poetic linguistic view is brought about by the combination of the emergence of the concept of “poem ontology”, the formation of modern aesthetic spirit, the conscientiousness of linguistic awareness and the critique of the western traditional logic linguistic view. Although the romantic aesthetics of Germany and Nietzsche, Croce and Heidegger differ in specific points of view, they are similar in the point that the nature of language is “poetic ” rather than “logical ” Sex. “The Poetic View of Modern Poetics ” not only has an important influence on the study of Western contemporary philosophy and aesthetics, but also on contemporary Chinese aesthetics, poetics and even literary creation.