他尊重老庄哲学,力求静心,苦苦戒除笔底行间的浮躁之气,不拒绝名利,也不刻意追逐,挥毫之际物我两忘。观陈浩之书作,正、草、隶、篆诸体皆出,乃至甲金、简帛、新莽汉篆等,涉猎广博而不浮泛,字里行间极具功力,不以聪明人自居。他的篆书力避画字而得形似之弊,以石鼓风格为基调,参以鼎铭、甲骨笔法,写得圆融浑厚但又躲开了吴昌硕之墨气、霸气,显示了眼力(太难)。 He respected the philosophy of Lao Zi and Zhuang Zhuang, and tried to meditate, hard to get rid of impetuousness between the lines of the bottom of the line, not to refuse fame and fortune, nor to chase after him. View of Chen Hao’s book, is, grass, scribe, seal all the bodies are out, and even gold, silk, new Mang Han Zhuan, etc., covering broad and not floated, very skill between lines, not smart self-owned. His seal works hard to avoid the characters in the shape of the disadvantages. The style of the Shigu is the keynote. Taking reference to Ding Ming and the method of the bones of the skull, written in a rich and rounded style, Wu Changshu’s inkiness and domineering show his eyesight (too hard ).