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作为象征性的表现艺术,敦煌图案设计艺术以抽象的形式,富有表现力的效果,传达了特定的观念。这些观念不仅有作为佛教艺术的宗教性因素,更多的则是表现人们日常生活的世俗性内容。敦煌石窟艺术中的装饰图案设计艺术,在抽象艺术形式的演变上,蕴含着由表现神到表现人,以及表现人神共处的世俗性和宗教性相结合的观念内涵。本文通过对敦煌图案设计艺术表达形式的探究,分析敦煌装饰图案设计艺术中蕴含的世俗性特征。
As a symbolic performance art, Dunhuang pattern design art conveys specific ideas in abstract forms and expressive effects. These notions are not only religious as a Buddhist art, but also more secular content that represents the daily life of people. The art of decorative pattern design in Dunhuang Grottoes art contains the connotation of the concept of the combination of the secular and the religious manifestations of God and God in the evolution of abstract art forms. Through the exploration of the art of Dunhuang design, this article analyzes the secular features in Dunhuang decorative design art.