新世纪以来,戏曲走出了90年代的低谷,走向复兴。在非物质遗产保护的政策下,各个剧团在继承传统戏的同时,也大量创排新戏,其中有相当一部分属于新编历史剧和挖掘整理旧剧目。这一类型的新排演的剧目有一部分伴随着观众的非议,除了批判导演问题外,人物造型也时常饱受诟病。这与一些新编戏人物造型设计违反戏曲艺术规律有关系。上个世纪以来,戏曲发展到现在已经由听戏,转向看戏,视觉 Since the beginning of the new century, the opera has come out of the trough of the 1990s and has been rejuvenating. Under the policy of the protection of intangible heritage, various theatrical troupes, while inheriting the traditional drama, also created a large number of new plays. A considerable part of them belong to the new historical drama and the excavation and reorganization of the old drama. Part of the rehearsal of this type of rehearsal is accompanied by criticism from the audience. In addition to criticizing the director’s issue, character modeling is often criticized. This is related to the fact that some of the new play characters are in violation of the art of opera. Since the last century, the development of drama has now shifted from listening to watching movies and seeing