欧洲人与美国人都有深重的怀乡病,这与中国人是一样一样的。在摄影界,表现为他们不断地将摄影老祖的东西拿出来翻晒,还表现为眼前的东西一旦看不懂,就转回身去向老祖请教。比方说,曾经在上世纪二三十年代火过一次的抽象摄影—当时是现代主义摄影(又称“先锋摄影”)运动的一部分—近年来随着“摄影2.0”时代的到来又火了。这抽象摄影何以“前度刘郎今又来”呢?又何以称为“复古的前卫” Europeans and Americans have deep nostalgia, which is the same as the Chinese. In photography, the performance of them constantly photography things out of the ancestral sun, but also for the immediate things that do not understand, turn around and turn to ask advice to the ancestors. For example, abstract photography, once in the 1920s and 1930s, was once part of the movement of modernist photography (aka “Pioneer Photography”) - with the advent of the “Photography 2.0” era in recent years It’s hot again. Why does this abstract photography “before the degree of Liu Lang come again?” Why? “Retro avant-garde”