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西方女性艺术史可以被看作是二十世纪七十年代早期妇女运动的一个组成部分,其理论建筑在社会历史方法论,即所谓“新艺术史”的基础上。1971年,美国艺术史学家琳达·诺克林(Linda Nochlin)发表题为《为什么没有伟大的女性艺术家?》的论文,确立了女性艺术史独立的研究方向。与女性主义运动最初感情的、个人的、主观的、甚至激进的色彩不同,女性艺术史从一开始就强调基于理性基础之上的历史分析。女性艺术史以阐述女性对艺术的贡献为己任,研究范畴主要在于:
The history of Western female art can be seen as an integral part of the women’s movement of the early 1970s and its theory is based on the social-historical methodology, the so-called “history of new art.” In 1971, the American art historian Linda Nochlin published an essay titled “Why There is no Great Female Artist ?,” establishing an independent research direction for women’s art history. Unlike the original feelings of the feminist movement, personal, subjective, and even radical, the art history of women emphasizes, from the very beginning, a historical analysis based on rationality. Female art history to elaborate women’s contribution to the arts as their responsibility, the main research areas are: