“后戏剧”时代的演出艺术聚焦于“在场”(presence)和“能量”(energy),注重演出现场的情感共振和视听张力,形成了一种不拘泥于行动叙事和人物对白的,将空间、影像、声音、装置、多重媒体和机械技术融为一体的新型演艺语汇。最近,西班牙拉夫拉前卫剧团(La Fura dels Baus)导演佩普·伽特尔(Pep Gatell)带领上海戏剧学院学生们在工作坊里创作汇报的《白蛇传2.0版》,显现出“后戏剧” Performance art in the post-drama era focused on “presence” and “energy,” focusing on the emotional resonance and audio-visual tension of the performance scene, creating a narrative Character dialogue, the space, video, sound, installation, multi-media and mechanical technology into a new performing arts vocabulary. Recently, La Gustave dels Baus Director Pep Gatell led the Shanghai Theater Academy students to present “The White Snake Version 2.0” in the workshop, which shows “Post-Drama ”