好看画面的色彩是对自然界变化万千的颜色进行分析和归纳的结果。在色彩写生中,画者通过对客观对象的观察、感受,从整体出发,将目光迅速对着物象及周边环境和空间扫视,让视线的范围尽可能扩大,这时所看到的物体颜色应是明亮的整体色彩,这种色彩的感觉一直伴随作画始终,而不是因为要把某物以细节刻画的理由,只盯住局部致使物体变脏、 The color of good-looking images is the result of analyzing and summarizing the ever-changing colors of nature. In the color sketch, the painter observes and senses the objective object, starts from the whole, and rapidly glances at the object and the surrounding environment and the space to make the scope of the sight as wide as possible. At this time, the color of the object to be seen Is a bright overall color, this feeling of color has always been with the painting, not because of the reason to detail the description of something, just staring at the local cause of dirty objects,