张敢在2012年第12期《美术》杂志中撰文称,当代视觉艺术与丑闻有着一种共生关系,当然这不可避免地也与一种压制的企图有关。在传统中,特别是在视觉艺术领域,经历某种程度上的审查制度,或者在审查制度方面的尝试,既是一种真实性的保证,同时也是一种荣誉。制造震惊效果的较早例子是由马塞尔·杜尚挑起的,那就是他著名的《泉》。最近,在西方一些民主国家关于审查制度的争论带有更多人文的特点—刻意引起 Zhang Gan wrote in the 12th issue of 2012 Art Magazine that there is a symbiotic relationship between contemporary visual arts and scandal, which of course is also inevitably related to a repressive attempt. In the traditions, especially in the field of visual art, going through some degree of censorship or trying out censorship is both a guarantee of authenticity and an honor. An earlier example of a shocking effect was provoked by Marcel Duchamp, his famous “spring.” Recently, the controversy over censorship in some Western democracies has been characterized by more humanity - deliberately arousing