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云南少数民族文化是我国珍贵的文化瑰宝,孕育着独特的文化底蕴。但是随着社会主流文化的冲击,导致大众对少数民族文化的关注度下降,同时民族文化本身没有新颖的载体进行传承与发展,这造成云南少数民族文化正面临着边缘化的问题。为了改变这种状况,我们需要探索云南少数民族文化新的发展方式和发展方向。本文意在讨论以云南少数民族文化作为创作素材,在保留民族文化精髓的基础上,运用现今主流化的人设插画为创作载体,让少数民族元素和现代设计元素相互融合,使云南少数民族文化在新兴载体上焕发出新活力,并开拓出不同的发展方式。
Yunnan’s ethnic culture is precious cultural treasures of our country, pregnant with a unique cultural heritage. However, with the impact of the mainstream culture of the society, the public’s concern about the minority culture is declining. At the same time, there is no new carrier for the inheritance and development of the national culture itself. This has led to the problem of the marginalization of Yunnan’s ethnic minority culture. In order to change this situation, we need to explore the new development mode and development direction of ethnic minorities in Yunnan. This article intends to discuss Yunnan minority culture as the creative material, on the basis of preserving the essence of national culture, using the current mainstream of people as illustrator to create a carrier, so that ethnic minorities and modern design elements of integration, the Yunnan minority culture Born in the emerging carrier on the new vitality and open up different ways of development.