清末民初山水画成为美术革命的对象,如徐悲鸿、林风眠、刘海粟等,留洋画家中西融合,国画改良似乎成为国画界之共识,借西洋技法改良国画,山水大师不乏成功之人,但当传统笔墨之中有所创新的,有黄宾虹、傅抱石等。上溯唐宋,小青绿山水成功演绎的则首推吴湖帆,本文将从重点从解读其代表作《云表奇峰》来探析吴湖帆山水画风格之转变过程,以期对山水画法研究及其山水画之创作有所裨益。 Landscape paintings by late Qing Dynasty and early Republic of China became the targets of the art revolution. For example, Xu Beihong, Lin Fengmian and Liu Haisu, etc. The fusion of Western and Chinese paintings by left-wing artists seems to be the consensus of Chinese painting circle. Among the innovations, there are Huang Binhong, Fu Baoshi and so on. In the Tang and Song dynasties, the successful interpretation of Xiaoqingreen landscape devaluates Wu Hufan. This article will analyze the changing process of the style of Wuhufan landscape painting from the perspective of its masterpiece cloud Qifeng, in the hope of benefiting the study of landscape painting and the creation of landscape painting .