探讨中国的网络音乐文化为时尚早。 毕竟,在这儿,连音乐文化本身尚发育不良:连年亏损的唱片工业、倍受冷落的地下音乐、无人喝彩的排行颁奖、泛滥成灾的盗版市场。在这些背后,匆忙着唯利是图的商人、自吹自擂的票友、以脸谋生的玩偶和因循守旧的主管。在大陆流行音乐走过十余年后,我们发现,纵然在其中还能找到一些既不幼稚也不畸形、称得上文化的东西来建构自己的主页的话,它也必将无力地淹没在欧美那精深而鲜活的图景之中。 To explore China’s online music culture is too early. After all, here and now, even the music culture itself is still underdeveloped: the record industry, which has been losing money for years, the out-of-town underground music, unpopular awards and the rampant piracy market. Behind these hurried mercenaries, boisterous fliers, face-to-face dolls, and unruly executives. After more than ten years of pop music in mainland China, we found that even if we can find something that is neither naive nor deform, we call it cultural things to build our own home page, we will inevitably languish in Europe and the United States That deep and vivid picture.