小曲是我国百姓喜闻乐见的民歌形式,以多彩的艺术表现在社会生活中颇具影响。从发生学看,小曲同其他民歌由来一样,被视为“劳动人民集体加工创作”的结晶。然细窥之,乐妓是其中一个不容小觑的群体,她们中的许多人凭借资性明慧、能歌善舞,在“职业化”道路上参与了小曲的创作、表演与传播,成为推动小曲艺术繁荣的重要力量。燕赵自古多小曲。明清两代,北京及其“直隶”下的燕赵大地,妓业繁胜,促进了小曲在该地的繁荣。关注明清乐妓与燕赵小曲的人文互动,对认识小曲的诸多历史风貌、艺术形态、创作历程与传播方式,促进中国民歌史学建设是一扇不可或缺的独特视窗。 Xiaoqu is a form of folk song loved by our people and colorfully represented in social life. From the perspective of genesis, Xiaoqu is the same as the origin of other folk songs, and is regarded as the crystallization of “collective work creation by the working people.” However, with a glimpse of this, musician prostitutes are one of the most not-to-be-overlooked groups. Many of them are capable of singing and dancing with the aid of Minghui and are involved in the creation, performance and dissemination of the song in the “professionalism” Become an important force to promote the art of Xiaoqu art. Yanzhao since ancient times more music. Ming and Qing dynasties, Beijing and its “Zhili” under the Yanzhao earth, prostitutes and prosperity, and promote the song in this area prosperity. Paying attention to the humanistic interaction between the musician and Yanzhao opera in the Ming and Qing Dynasties is an indispensable and unique window for understanding the many historical features, artistic forms, creative process and mode of transmission of the opera.