本文主要围绕哥特式问题的研究论述了20世纪初期德语艺术史中两种既有联系又有区别的艺术史观念。文中涉及了三个方面的问题:第一部分是哥特式的观念史;其次,是德国艺术史家沃林格尔对哥特式问题的文本阐述及其所体现的艺术史观念;第三,也是本文的主要部分,是维也纳艺术史家德沃夏克对哥特式研究的批判和再阐释,以及他借此建构精神史观艺术史研究模式的过程。 This paper mainly focuses on the study of Gothic issues and discusses two kinds of concepts of art history that are both related and different in German art history in the early 20th century. The article deals with three aspects: the first part is the Gothic history of ideas; secondly, the German art historian Warringinger elaborates on the Gothic texts and the concepts of art history they embody; and thirdly, The main part of this article is the process of criticizing and reinterpreting Gothic studies by the art historian Dvorak of Vienna and by means of constructing the research mode of art history of spiritual history.