对于文学来说,存不存在主要属于作者的私人意义?或者换个角度说,作者可不可能赋予作品以某种只有他才能理解的意义?私人意义的讨论是伴随着维特根斯坦关于私人语言的批判而展开的。按照维特根斯坦的说法,“这种语言的单词所指的应该是只有说话的人知道的东西,是他的直接的私人感觉。因此,另一个人是不可能懂得这种语言的”。 For the sake of literature, does the existential existence of the private meanings which are mainly of the author? Or, from another perspective, can the author give the work some sense of being understood by only him? The discussion of private meaning is accompanied by Wittgenstein’s critique of the private language And expand. According to Wittgenstein, “the words of this language refer to what should be understood only by the speaker and his immediate private feeling, and it is impossible for the other to know the language.”