明末清初的才子佳人小说，全都是大团圆的结局，这是一个很有趣的话题，更是一种复杂的文学现象。前人、时贤对此有所论述，但笔者以为似欠系统。笔者认为，这个问题可以从发生学、接受学、社会学等多个角度去探讨。拙文试从发生学的角度，探寻才子佳人小说作家们的创作态势，冀不至于隔靴搔痒。 It is a very interesting topic, but also a complex literary phenomenon, all of which are happy ending novels of the late Ming and early Qing dynasties. Former predecessors, Shian Yin discussed this, but I think it owes to the system. In my opinion, this issue can be explored from many angles, such as genesis, acceptance and sociology. Clumsy literary test from the perspective of learning, to explore the genius and beauty novels writers who writers posture, Ji not to be insane.