Point就是因为这种描绘方式,包括他牢固的“苍凉”底色,使他的电影不等同于简单的意大利写实主义,也不再受法国新浪潮的概念束缚,直接进入了更深一层的语境,用寓言方式记录我们这个时代。当我听到电影研究学者戴锦华的结论,侯孝贤是亚洲最伟大的导演的时候,不由自主地愣了一下。毕竟,整个亚洲电影史上,大导演不在少数,堪称伟大的导演也有几位,凭什么侯孝贤就是其中那位最伟大的? Point is because of this depiction, including his solid “desolation,” that his film is not equivalent to simple Italian realism nor is it bound by the notion of a new French wave that goes directly to deeper levels The context, using the allegory way to record our time. When I heard the conclusion of the film researcher Dai Jinhua that Hou Hsiao-hsien was Asia’s greatest director, he froze for a moment. After all, throughout the history of Asian cinema, there are not many big directors, but also a few great directors. Why is Hou Hsiao Hsien one of the greatest?