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2009年4月18日,远在哈尔滨的李煞给我发来她在硕士论文基础上修改而完成的著述《华灯下的田野——1964年全国少数民族文艺汇演研究》,要我为此写一篇“序”。此时,我正在上海音乐学院为硕士、博士班讲授“20世纪的中国传统音乐研究”。
On April 18, 2009, Li Sha far away from Harbin sent me the book “The Field under the Light - A Study of the National Minority Arts and Art in 1964”, which was completed on the basis of her master’s thesis. A “sequence”. At this moment, I was teaching the “20th Century Chinese Traditional Music Studies” at the Shanghai Conservatory of Music for master’s and doctoral programs.