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美术批评是针对于美术范畴,自为自觉的、主动性的观念、思维意识进行的描述和论述活动,主要是由美术作品、美术家和美术现象的所呈现的现实元素组成,是一个有机结合的整体。在批评文本的不断循环中生存的批评家,其批评意识在一定领域和跨学科领域中的观念定论却是永无止境的被推翻。一直以来对美术批评家和活动的独立太过期待,以至于一些学者将批评的视野在不着边际的“真空”2问题上,逐渐使美术批评的独立意识的丧失绝对化,或者否定美术批评活动的相对独立,使人疑惑批评的边缘、界限和批评家的真正独立在哪里?
Art criticism is a description and exposition of activities directed at the category of art, self-conscious, initiative, and thinking. It consists mainly of the realistic elements of art works, artists and fine arts phenomena. It is an organic combination Overall. Critics who survive in the constant cycle of criticizing the texts, their critique of ideas in certain fields and interdisciplinary fields, are forever to be overthrown. Has always been too much for the art critics and activities of the independence too much, so that some scholars will criticize the field of vision in the marginal “vacuum ” 2 issues, gradually art criticism of the loss of the absolute sense of independence, or denied art Where is the margin of criticism, the boundaries of criticism, and the true independence of critics?