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刘半农的论著《半农谈影》是中国第一本摄影艺术理论专著,为中国20世纪二三十年代的美术摄影的发展和繁荣奠定了理论基础,他还创作了许多构思新颖、技法独特、心境散淡、意境高古的诗情画意的作品,这些作品弘扬了中国传统文化和东方艺术之美,为摄影艺术创作开辟了一条新路,成为具有中华民族特色的摄影艺术。本文结合特写的社会历史语境,归纳并阐释《半农谈影》的主要观点及其影响,然后,根据江阴博物馆馆藏及光社年鉴中刊载的刘半农的摄影作品分析其创作特色及艺术风格。
Liu Bannong’s treatise “Semi-agricultural Tan Ying” is China’s first monograph on photography theory, which laid the theoretical foundation for the development and prosperity of Chinese art photography in the 1920s and 1930s. He also created many novel ideas, unique techniques, These works are portraying the traditional Chinese culture and the beauty of oriental art, opening up a new road for photography creation and becoming a photography art with Chinese characteristics. Based on the close-up social and historical contexts, this essay summarizes and explains the main views and influence of “semi-agricultural talkshow” and then analyzes its creative features and artistic style based on the photographs of Liu Banong published in the Jiangyin Museum Collection and Guangshe Annals.