劳伦斯虽不是达尔文进化思想的自觉践行者,但由于诸多因素,如一战的创伤、紧张的婚姻关系、每况愈下的身体状况、备受重创的写作生涯等,劳伦斯1919—1922期间的作品被打上了达尔文主义的烙印。本文以劳伦斯转折时期的代表性作品《狐》为例,探究这一作品中所展现的达尔文元素,分析达尔文思想如何从塑造人物形象、构建人物关系、推动情节发展这三个方面在《狐》中得以体现。 Although Lawrence was not a conscious practitioner of Darwin’s evolutionary thought, Lawrence’s works from 1919 to 1922 were marked by many factors, such as the trauma of World War I, the tense marital relationship, the deteriorating physical condition, the hard-hit writing career and so on Darwinism. This paper takes the example of “Fox”, a representative work of Lawrence ’s transition period, to explore the Darwinian elements in this work, and to analyze how Darwin’ s thought can be used in the “fox” from the three aspects of shaping character images, building character relationships and promoting plot development, Can be reflected.