提起“贺敬之”这个名字,人们就会把他与歌曲《南泥湾》,歌剧《白毛女》,诗歌《回延安》、《桂林山水歌》、《三门峡颂歌》、《雷锋之歌》、《西去列车的窗口》等等名作紧密相联.贺敬之的文学创作善于从历史与思想的高度来提炼文骨,他写诗则坚持“诗学和政治学”统一的标准,以政治为纲,吹响时代的号角。他似乎注定就是为文学创作而生,他总是以敏锐的触觉去感知社会重大的事件,并以满腔的激情予以演绎。他是时代的歌手、人民的诗人。 Mention “He Jingzhi”, people will put him with the song “Nanniwan” opera “white hair woman” poetry “back to Yan’an”, “Guilin landscape song”, “Song of Sanmenxia”, “Lei Feng Song ”and“ the window of the train to the west ”etc .. He Jingzhi’s literary creation is good at refining the textual bone from the perspective of history and thought, while he writes poetry insisting on the unity of“ poetics and politics ” Standard, political as the key link, sounded the horn of the times. He seems destined to be born of literary creation. He always perceives major social events with keen sense of touch and expresses his passion. He is a singer of the times, a poet of the people.