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中国传统戏曲艺术百年来强烈地受到西方话剧思维观念的深刻影响,以致至今早已成为学界和演艺界习焉不察的思维惯性。这里应当加以辩难的问题是:是对象化思维,还是非对象化思维;是个性化思维还是类型化思维;是诉之于“真”的体验,还是诉之于“美”的生知;是以歌舞演故事,还是以故事梗概为媒介显现歌舞;是“是”(什么),还是“怎是”。
For centuries, the traditional Chinese traditional opera art has been deeply influenced by the concept of western drama and has so far become the inertia of thinking that is unobtrusive to the academic and performing arts circles. The question that should be defended here is whether it is object-oriented thinking or non-object-oriented thinking; whether it is individualized thinking or typed thinking; whether it is a prosecution for “true” experience or a prosecution for “beauty” Students know; is the song and dance stories, or the outline of the story as a medium show song and dance; is “is ” (what), or “how ”.