英国作家曼斯菲尔德在短篇小说的内心独白及视角转换方面属首创者,本文将从叙事视角和意识流这两个突出的写作特色对她的作品《电影》一文进行浅析。本文认为正是第三人称的叙事视角和无序的,跳跃性的意识流叙述使得《电影》成为《园会》这个短篇小说集里的经典作品。 Mansfield, the British writer, was the first creator of the monologue and perspective transformation of short stories. This article will analyze her work “The Movie” from two prominent writing features: narrative perspective and stream of consciousness. This paper argues that it is the third-person narrative perspective and the disorderly, jumpy stream of consciousness narration that makes “movie” a classic work in the short story collection of “Garden Society.”