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在元明两代写意花鸟画中,出现了众多追求绘画高格调和审美的画家,把“写”融进作者的思想、情感、意愿和文化内涵,并以画寄情寓意。文章从论述元明两代花鸟画以及其对后世的影响等方面,指出元明两代写意花鸟画家们通过不同的笔意去寄托自己的情感来表现画面中的喻意。因此元明两代写意花鸟画有较长足的发展,对后世影响较为深远。
In the freehand flower and bird paintings of the Yuan and Ming dynasties, there appeared many painters who pursued the high style and aesthetic taste of painting, integrating “writing” into the author’s thoughts, emotions, wishes and cultural connotations, and painted the meaning of love. From the aspects of the bird-and-flower paintings of the Yuan and Ming dynasties and their influence on the future generations, the article points out that the freehand flower-and-bird painters of the Yuan and Ming dynasties express their metaphysical meaning through different means to pin their emotions. Therefore, the Yuan and Ming Dynasties freehand bird and flower paintings have a more substantial development, the impact on future generations more far-reaching.