闻名全国的西安易俗社,在秦腔改革方面作出了重要贡献。几十年米,他们在创作了大量优秀秦腔剧本的同时,对秦腔的表、导演和音乐唱腔的设计也进行了认真的探索和研究。单就唱腔而言,从三十年代起,就开始了改革的尝试,如《双锦衣》里的数罗汉、《昆阳战》中的阴丽华骂月,《暖玉佩》里高梦鸾的入帅府,《燕子笺》里的闺怨,《克里米战记》的赶驴,《重园镜》的哭五更,《西施浣沙》、《黛玉葬花》里林黛玉的唱腔等。 Xi’an Yushe Club, famous throughout the country, made an important contribution to the reform of the Qin chamber. Decades of meters, they created a large number of outstanding Shaanxi opera script at the same time, the design of the Qin cavalier table, director and music singing also conducted a serious exploration and research. In terms of singing alone, since the 1930s, attempts have been made to reform such as Arhats in “Two Brocades,” Yin Lihua in “Kun Yang War”, Gao Meng 鸾 in “Warm Jade” Commissar, “House of Swallows” the girlfriend, “Crimea” catch donkey, “Park Mirror” crying five more, “Xisha Shi Huan Sha”, “Dai funeral flowers” Lilin Daiyu singing Wait.