回顾近年福建地方戏的发展,透过繁华盛景,似乎可以看见一些发展中的隐患和发展的瓶颈。地方戏在剧目创作和演出动态上,形成了多元化的格局,但同时,它的审美主体与创作主体之间出现了断裂,观众危机与创作繁荣形成了强烈对比。地方戏的传统与创新似乎有些难以调和,我们在地方戏的各类展演中,较少看到那股奔腾于剧种之中鲜活的血液和原始蓬勃的生命力。地方戏在演出舞 Looking back at the development of local drama in Fujian in recent years, it seems that we can see some bottlenecks in the development of hidden dangers and development through the prosperity. Local operas formed a pluralistic pattern in the composition and performance of the repertoire, but at the same time, there was a break between the aesthetic subject and the creative subject, and the audience crisis and the creation and prosperity formed a sharp contrast. The tradition and innovation of local opera seem to be a bit difficult to reconcile. In various performances of local opera, we seldom see the vivid blood and primal vitality of the opera. Local drama in performance dance