在中国古代佛像雕塑史中,我们可以看到某些矛盾现象,通过对这些复杂现象的分析。可以得到一些有益的启示,佛教造像的榉式与宗教仪轨之间相悖现象就是其一。 中国最早对佛像雕塑作出贡献的是戴逵。史称戴逢善铸佛像及雕刻。他为瓦官寺所塑佛像五躯,与顾恺之画维摩、狮子国赠玉像并称“三绝”。他还创制了脱胎漆工艺的夹紵佛像,是“百工所范”、“实为领袖”的人物。在佛像的民族化方面他的成就更为突出。相传他为山阴灵宝寺造丈六无量寿佛并菩 In the history of ancient Chinese sculpture of statues, we can see some contradictions, through the analysis of these complex phenomena. Some beneficial enlightenments can be obtained. One of the contradictions between the beech-type of Buddhist statues and religious rituals is one. China’s earliest contribution to the sculpture of the Buddha is Dai 逵. History called Feng Fong good cast statues and carvings. He is a five-footed statue of a Buddhist temple, with paintings by Gu Kai Vimalak, a statue of a lion, and a statue called “San Jue”. He also created a Buddha statue in the process of removing paint from a paintbrush. His achievement is even more prominent in the nationalization of Buddha statues. According to legend, he made for the Shannon Ling Bao Temple six unmarried life Buddha and Bodhisattva