论文部分内容阅读
60年前,以特伟为创作核心的老一辈艺术家们经历了与今天同样的境遇,走过了一段曲折的探索历程,并于1956年前后提出了“探民族风格之路,敲喜剧样式之门”的创作目标。事实证明,老一辈动画家们正是以此作为出发点,在创作上坚持“不模仿别人,不重复自己”的艺术主张,终于在短短的几年后涌现出一大批具有鲜明的民族风格动画,在国际上赢得了“中国学派”的美誉。“动画片是中国电影事业中,找到了独自方向的比较卓越的部门”。这是周总理在1967年10
60 years ago, the artists of the older generation who used Tewei as their creative core experienced the same situation as today and went through a tortuous course of exploration. In 1956, they proposed “exploring the national style and knocking on the comedy Style of the door ”creation goal. Facts have proved that the older generation of animators who just took this as a starting point, in the creative adhere to the “do not imitate others, do not repeat themselves,” the artistic proposition, and finally in a few short years after the emergence of a large number of distinctive National style animation, in the international won the “Chinese school” reputation. “Cartoon is the cause of China’s film, found the direction of their own superior department ”. This is Premier Zhou in 1967 10