《冈仁波齐》一个关于藏族人磕长头的故事,全片采用非职业演员表演,游走在纪录片和故事片中间,亦真亦幻。我想借用木心《文学回忆录》中,表述历史学家和艺术家的一个句型:历史学家是真口袋里装真东西;艺术家,是假口袋里装真东西。我来重构一下,剧情片导演是假口袋里装假东西,纪录片导演是真口袋里装真东西,那么介乎于这两 “Gang Rinpoche,” a long story about Tibetan people kowtowing, the whole film using non-professional performers, wandering between the documentaries and feature films, is also true and false. I would like to borrow a sentence from the “Literary Memoir” of Mu Xin to express a pattern of historians and artists: historians are real things in pocket; artists are real stuff in fake pockets. I’ll refactor, the director of the film is a fake pocket fake things, the documentary film director is true pocket stuff, then between these two