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作为新世纪“底层文学”的重要组成部分,“底层诗歌”已经成为新诗学界普遍关注的话题,其对社会现实的有意介入,让诗歌得以复归大众,并且对1980年代中后期以来“纯文学”的去政治化写作、“向内转”的个人化倾向、“后现代”远离生活现场的书写起到了积极的纠偏作用。在底层写作的诗歌潮流中,郑小琼是引人注目的代表性人物,她为我们提供了大量抒写底层群众生活、情感与思想的优秀诗歌文本。这些文本通过与现实生活的深刻关联,重新找到了诗歌向社会发声的渠道,从社会现实的批判、集体经验的表达、阶级
As an important part of the new century “underlying literature ”, “underlying poetry ” has become a topic of universal concern in the new poetics, whose deliberate intervention in social reality allows poetry to be restored to the public, and since the late 1980s “Pure literature ” de-politicized writing, “inward turn ” personal tendency, “post-modern ” far away from the scene of life writing played a positive role in correcting. Among the poetic trends in the writing at the bottom, Zheng Xiaoqiong is a conspicuous representative person who provides us with excellent poetry texts that depict a large number of people’s lives, emotions and thoughts at the bottom. Through deep connection with real life, these texts find a new channel for poetry to speak to the society. From the critique of social reality and the expression of collective experience,