眼前的银幕:投影式时间感中的交互层级关系长久以来,我们认为影像是人创造的,因此,艺术家与影像间的关系一直都以“拥有”和“隶属”的关系被思考。比如说:某某人创造了这个影像,或该影像出自谁的作品。观众的角色被限定在了“呈现”与“阅读阐释”上,但我们必须意识到这样的区分是和以前的拍摄、放映设备与技术相关的,也就是说,制作者与观众的关系是被银幕与观众席的关系决定的。今天,已经出现极大的转变:影像和人互为媒介。影像作为“再现无法在场者”的功 The screen in front of us: the interactive hierarchical relationship in the sense of time of projection We have long believed that images are created by humans. Therefore, the relationship between artists and images has always been based on the relationship between “ownership” and “subordination” . For example: Someone who created this image, or who the video came from. The role of the audience is limited to the “presentation” and the “reading explanation,” but we must recognize that such differentiation is related to the previous filming, screening equipment and technology, that is, the producer and the audience The relationship is determined by the relationship between the screen and the auditorium. Today, great changes have taken place: images and people interact with each other. Image as “Reappearance of those who can not ” work