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中国传统绘画的色彩以“意象”构成的方式来表现客观事物,它有自己的审美理想和表现形式,是传统绘画中的精华,渗透着深厚的民族文化底蕴和中国艺术精神。在艺术创作中实现对自然物象的超越,达到主体情感的流露,这种思维方式并不是对客观事物的漠视和否定,而是更加深入地把握客观事物的本质,并赋予它更加丰富的情感内涵,正如清代石涛说过“画者从于心者也”。画家虽然要以客观世界为依据,但不是被动地模拟对象,画中的客观对象已经经过了画家心灵的陶融,注入了自身的情感体验。
The color of Chinese traditional painting expresses objective things in the form of “imagery ”. It has its own aesthetic ideal and manifestation. It is the essence of traditional painting, infiltrating deep national culture and Chinese artistic spirit. In the artistic creation, it realizes the surpassing of the natural objects and the release of the subjective emotion. This way of thinking is not to neglect and negate the objective things, but to deepen the grasp of the essence of the objective things and give it a richer emotional connotation , Just as Shi Tao of Qing Dynasty said that “the painter is also from the heart”. The artist, though based on the objective world, does not passively simulate the object. The objective object in the painting has already passed through the melting of the painter’s heart and infused his own emotional experience.