随着数字移动终端的普及,人们的接收方式与信息的传播渠道逐渐由静止、单向、纸质转向交互、双向、数字化。交互设计在潜移默化中渗透进了人们的日常生活,影响着人们对世界的认知方式,让世界遵循新的美学标准也得以实现。与此同时,我们注意到一个问题,交互设计中的角色本身具有不同的定位,用以满足受众各不相同的审美期待,而不同文化角色的美学元素又需要纳入到交互设计中,这样才能产生丰富的美学效应。一、晋善晋美:角色的三重设定 With the popularization of digital mobile terminals, people’s reception channels and information channels gradually move from static, unidirectional and paper-based to interactive, bi-directional and digital. Interactive design imperceptibly infiltrated people’s daily life, affecting people’s perception of the world, so that the world to comply with the new aesthetic standards can be achieved. At the same time, we have noticed a problem. The roles in interaction design have different positions to meet the different aesthetic expectations of the audience, and the aesthetic elements of different cultural roles need to be integrated into the interaction design so as to generate Rich aesthetic effect. First, Jin Shan Jin Mei: the role of the triple setting