本文分析了藏区南部夏鲁寺集会殿门廊中,带有宋元时期舞台布景效果的龙凤戏珠纹图画,认为这是自13世纪以来,随着西藏贵族与元代朝廷政治关系的建立而来的汉地艺术影响的一个独特案例。作者将这种影响置于元朝政府与西藏的政治关系,以及尼泊尔纽瓦尔艺术风格的强大影响共同构成的特定的文化情境之下,且重点分析了绘于夏鲁寺早期整个门廊北壁带有汉地风格的壁画。 This article analyzes the dragon and phoenix play bead paintings with the effect of the stage scenery in the Song and Yuan Dynasties in the porch of the temple of Charoit temple in the southern part of Tibet area and considers that since the 13th century, with the establishment of the political relationship between the Tibetan nobility and the court of the Yuan Dynasty, A unique case of the impact of Han Chinese art. The author places this influence under the specific cultural situation that the political relations between the Yuan Dynasty government and Tibet and the powerful influence of Nepal’s Newar art style together make, Han-style murals.