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从《国语》、《左传》引“诗”分布及出现时间来看,“诗”与“雅”关系极为密切,“雅”可能为中国早期一般意义上的“诗”;此后地方之“风”逐渐具备与“雅”并列称“诗”的地位。“颂”一直具有相当特殊的地位与独立性,很可能早有单独文本流传,应最后整编入“诗”。“风”地位的上升与“颂”逐渐融入“诗”这一过程的完成,为雅、风、颂合流,进而编订综合性诗集提供了心理准备与社会条件。孔子极可能是中国第一部整理成型的“诗”的文学文本的最后整合及编定者,同时也是最早把文学从音乐中以“文本形式”分离出来的人,他对中国诗歌的独立发展产生了深远影响。
From the distribution of “Shi” and “Zuo Zhuan” “Poems ” and the appearance time, “poems ” and “Ya ” are closely related, “Ya ” may be the early Chinese general sense “Poems ”; afterwards, local “wind ” has gradually become synonymous with “Ya ” “poetry ” status. “Song” has always had a very special status and independence, it is likely that a long time ago a separate text spread, should be finally integrated into the “poem.” The rise of “Wind ” ’s position and the gradual integration of “Song ” into “Poetry ” completes the psychological preparation and social conditions for the integration of elegance, style and etiquette and the compilation of a comprehensive collection of poems. It is very likely that Confucius was the last person who integrated and edited the first literary poetic text in China and was also the earliest person to separate literature from “music” in music. The independent development of poetry has had a profound impact.