我看抽象,凡油滑或伪拙者,概不叫它入眼,而遇涨满醉态甚或癫狂的东西,则赶紧凝神屏气,在心恭恭,甚至给自己个警告,多看少语。因为好的抽象,筋骨与神气咬合的混沌,所谓气灌周延。静观是捕获其精髓的最好选择,而语言进而文字的“阐释”是最讨人嫌的,它们总是乐于拆解自身圆满的存在,败坏抽象的气脉,靠着理清醉态甚或癫狂背后的“理性”而阻止醉态甚或癫狂的蔓延。语言于抽象是块赘肉。所以,我对老邓这组抽象文字的出笼定是于人不爽,但还是厚着脸皮放到后面来了。你就漠视它吧。十几年前,老邓的油画我喜欢,只因味道足,足到后来乃至现在我都 I see the abstract, where the greasy or clumsy who will not call it into the eyes, and meet the ups and drunk or even crazy things, then quickly breathy, courteous, and even give myself a warning, see more words. Because of the good abstraction, bones and the charisma of chaos, the so-called gas irrigation. Quietness is the best choice to capture its essence, and language and then the text “interpretation ” is the most disgusting, they are always happy to disassemble their perfect existence, corrupt the abstract qi pulse, rely on to clarify drunkenness or even mad Behind the “rational ” and prevent drunk or even madness spread. Language is a block of fat in abstract. So, I come out of this set of abstract texts Lao Deng set people uncomfortable, but still cheeks came in the back. You ignore it. Ten years ago, Lao Deng’s oil paintings I like, only because of enough flavor, enough to later and now I have