镜头语言是一种电影电视预言,其主要表现形态是在蒙太奇语言结构中,对影像材料的有机组合和灵活运用。从过去的角度来审视,都不会认为将镜头语言与现代戏剧舞台联系在一起。因为,戏剧舞台,就其基本形态而言,过去依旧是,将来也同样是一种呈现在观众面前的三维空间结构,在这个空间里,观众要想进行类似于影、视似的远、中、近景、特写般的审视,若无独特的舞台设计和艺术表现手段,是不可能做到的。但在现代舞台艺术实践中,却不难看出,许多艺术家正在有意将镜头语言和现代舞台有机地结合起来。本文就此进行专门探讨。 Lens language is a kind of film and television prophecy, its main manifestation is in the montage language structure, the organic combination of image materials and flexible use. Judging from past perspectives, we do not think that linking the lens language with the stage of modern drama. Because the theater stage, in its basic form, the past is still, and will be, the same in the future as a three-dimensional space structure that is presented to the audience. In this space, the audience wants to make similar, visual, , Close-range, close-up look, without a unique stage design and artistic means of expression is impossible to do. However, in the practice of modern stage art, it is not hard to see that many artists are intending to organically combine the lens language with the modern stage. This article is devoted to this discussion.